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| "I am particularly inspired by the music. Then I try to imagine what kind of a character this is, what is going on with this figure. I let my imagination play out, almost like in role-playing in my childhood. I am fascinated by figures that are totally different from me. I am not out to make something special out of a role, but to try to be as credible as I can possibly be. Authenticity is the most important thing! But I only live my roles for only as long as the performance lasts. Once it's over, I pull the role off and return to my own life, otherwise I wouldn't be able to keep on developing the necessary imagination and desire to be on the stage over and over again. (Vesselina Kasarova)" |
Anyhow, Frau Kasarova's year seems off to a good start with two successful role debuts: the title role in Carl Heinrich Graun's Montezuma at Berlin's Schiller Theater and Principessa di Eboli in Verdi's Don Carlos at the Opernhaus Zurich. I envy those who are attending her joint concert with Krassimira Stoyanova at the Philharmonie in Munich today. Though for those of us who are unable to go to her performances there are a few goodies on television and the internet this month!
May 4th: If you are in Europe with access to the Swiss ZF channel, tune in at 5:40CET to catch her on Aeschbacher's show.May 6th: Live internet streaming on the World Concert Hall of her solo concert with Charles Spencer from the Schwetzingen Festival at 1830GMT.May 19th: Live internet streaming of a performance of I Capuleti e i Montecchi with VK and Anna Netrebko as the star-crossed lovers from the Bavarian State Opera in Munich. 1900CET, 1300EST.
May 28th: Live internet radio broadcast on Oe1 of the performance of Berlioz's La morte de Cleopatre from the Salzburg Whitsun Festival. John Eliot Gardiner conducts. With Vesselina Kasarova and Piotr Beczala.
With thanks to all the Kasarova fans for all the tips!

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